LOS ANGELES- In a significant development for the entertainment industry, the Writers Guild of America (WGA) has reached a preliminary labor agreement with major Hollywood studios.

This agreement is poised to bring an end to one of the two strikes that have disrupted film and television production and inflicted substantial economic losses on California.

The proposed three-year contract is awaiting approval from the WGA's leadership and union members before it can be officially enacted. Representing 11,500 film and television writers, the WGA has lauded the deal as "exceptional," highlighting its provisions for meaningful gains and protections for writers.

The negotiating committee attributed this achievement to the enduring solidarity of WGA members and the support from fellow unions during the 146-day strike.

While this agreement marks a significant milestone, it won't immediately restore business as usual in Hollywood. The strike by the SAG-AFTRA actors' union still continues, posing challenges to the industry's return to full operation.

The initial strike by writers commenced on May 2 and revolved around various issues, including compensation, minimum staffing in writers' rooms, the use of artificial intelligence, and residuals for writers from popular streaming shows.

Throughout the strike, writers emphasized the importance of collective action in an industry that generates billions of dollars for production companies. The Alliance of Motion Picture and Television Producers, representing major studios like Disney, Netflix, and Warner Bros Discovery, released a brief statement confirming the tentative agreement.

However, it's important to note that this contract is preliminary, with details to be shared after finalizing the contract language. Subsequently, negotiators will vote on recommending the deal to leadership, who will then present it to members for a vote.

The dual strikes in Hollywood had far-reaching consequences, leading to the shutdown of movie and TV production, and even impacting late-night talk shows, which resorted to reruns. Efforts to restart daytime talk shows without writers faced criticism from striking writers and actors.

At the heart of the strike were issues of fair compensation and working conditions for writers, highlighting disparities in earnings within the industry. High-profile executives, such as Disney's Bob Iger, initially criticized the striking writers and actors but later expressed respect for creative professionals.

Economically, the strikes have taken a toll on various industry workers and small businesses that support film and television production, resulting in an estimated cost of at least $5 billion in California and other production hubs.

This strike is reminiscent of past writers' strikes that sought to address industry changes, such as the shift to new distribution forms. In this case, the central issues included residual payments for streaming services and concerns about the role of artificial intelligence in the creative process.

While Hollywood celebrates the end of the writers' strike, the labor battle is only halfway resolved, with the studios still needing to negotiate with the SAG-AFTRA actors' union, which represents a wide range of industry professionals.

Issues at stake include minimum wages, protection against AI replacing human performances, and fair compensation for actors in the streaming era.

In response, SAG-AFTRA has called on studio CEOs and negotiators to return to the table and negotiate a fair deal that meets the demands of its members. This dual strike, involving both writers and actors, is the first of its kind in Hollywood in over six decades, underscoring the industry's shifting landscape and the importance of equitable compensation and working conditions for all involved.